Series in retrospect – 7 Worlds

This is presumably the first series where the team actually made a serious mistake, mixed up the sound recordings in the programme about South America*. The article does imply that even world class experts watch these series, even though these may have simply heard of the mix-up accidentally and taken a look just in case.

Reading the comments in this online article it is important to keep in mind the difference between making a mistake as in this example and bending the rules in order to create a story that illustrates what actually happens in nature. Dealing with such an issue would take more than a single paragraph. It would be better left for a possible separate piece.

This series deals with the continents as separate worlds as if they had practically nothing in common as far as species are concerned so it may look odd that the Europe episode ‘ends’ with a piece about the Iberian lynx and the next one ‘starts’ with a similar piece about the Canada lynx. Any one species does usually not play a major role in two separate episodes of an Attenborough related series. That is exactly the problem. As implied by Attenborough’s words and the main text of the book these are not the same species, just two closely related ones. Maybe somewhat disappointingly the index in the book indicates that they are the same. Sometimes oversimplifying may make matters worse.

Seeing the structure of the series, obviously the animal sequences neither start nor end an episode. A strict routine (or pattern) means that a ‘behind-the-scenes’ piece ends all episodes and a piece about external forces usually start them – the Australian one is a bit different from the others.

Anyone having seen the Netflix’s series, Our Planet may have spotted similarities between the two: Both include a sequence about the over crowded population of walruses in their second episode. In the Our Planet, however, polar bears play no part in forcing them off the cliff. Seemingly only hunger and seeing the ocean in front of them does. At the end of the Africa programme (behind the scenes) the crew almost came face-to-face with poachers when intending to film lowland gorillas. The team managed to film them in Our Planet series.

People may find it strange to see Attenborough introduce this series in a country where not a single sequence is otherwise being filmed, given his talk about people avoiding unnecessary carbon footprint. There might, however, be a different reason for him being there: He might be working on any of his next series. Let’s see where they one take him, people presumably know about his upcoming work in 2021, Life in Colour**.

As usual most reviews regarding the series concentrated on the first programme:

Naturally BBC must go first: Seven Worlds, One Planet: ‘Gorgeous’ nature series gets five-star reviews

The Guardian : breathtaking, moving, harrowing

The Independent

DailyMail

The Telegraph

Digital Spy concentrates on the walrus scene

The Metro

The Sun

Joe an Irish entertainment site even includes this series’ first episode

The ReviewGeek is seemingly the only site that reviews every episode. Episode 2 is here. You can presumably guess the rest of the series.

Other references:

*Problem with sound in South America:

thetimes.co.uk/edition/news/bbc-got-animal-noises-mixed-up-in-attenboroughs-one-planet

DailyMail

**https://metro.co.uk/2019/09/27/david-attenborough-working-new-documentary-animals-colour-sounds-amazing-10822060/

6 – “North America”

Original air date – 1 December 2019

An overview of the programme

The programme starts with a stunning sequence about the Canadian lynx. It may not looks like much but just imagine all the work demanded by these different views; the camera crew had to stake out the animals. They wouldn’t dare move because the snowshoe hare is far too sensitive to any movements. The below are just three different angles given in the sequence, the fourth, aerial one, can be obtained simultaneously.

Several different angles the camera crew used to film the lynx trying to hunt the hare

4 – “Australia”

Original air date – 17 November 2019

An overview of the programme

Very early on in this programme there is a surprising sequence of kangaroos in snow! People don’t usually associate Australia with snow.

This programme has a sequence that, sadly, a few snapshots cannot easily explain. It has to be left to a video clip. The following few snapshots are an attempt to reflect the flow of air bubbles upwards from the puddle into the toe where it is sucked up like blotting paper and, by some internal system, sucked straight into the mouth.

A thorny devil drinking through its toes, snapshots from a web rip of the programme.

Videos are hard to include here so one has to be included through audio, it might be downloaded – it is only a few seconds long and includes this incredible sequence of the lizard drinking through its toes. A video sample was attempted to include from You Tube but it seems BBC didn’t like it, considered it a breach of copyright. Did not realise this is a tribute site where all outside sources are referenced, no copyright breaches intended.

There are a couple of videos, from Animal Planet and National Geographic (2007), online but they are far inferior to what was included in this programme. It would be easy to conclude this as the difference in quality between these channels. However maybe the camera team was just following instructions from their producers, BBC simply wanting to concentrate on this one remarkable action instead of the whole process the other channels were interested in. As pointed out for National Geographic this is not a new discovery at all, but the BBC sequence makes it more plain than any either of the earlier ones.

At last there is every reason to mention the final sequences of the programme; the Tasmanian devil and the decline of mammals in Australia, a really downbeat end for the programme.

3 – “South America”

Original air date – 10 November 2019

An overview of the programme
The fruit-loving piraputanga in Bonito Pools jumps for its fruit. Notice how it bends its tail and, in the end its whole body, as it snatches the fruit (42’33-42’36).

There is an incredible sequence of the fruit-loving fish, piraputanga, being guided to its fruit by monkeys and then afterwards jumping for the fruit after the monkeys had to leave.

1 – “Antarctica”

Original air date – 27 October 2019

An overview of the Antarctica programme

The programme has several particularly memorable sequences.

This first one shows Weddell seal mother and pub try to survive a snowstorm.

After the snowstorm: On the left is a dead seal pub, but on the right are mother and pub reunited (8’05-8’40).

The sequence shows the mother retreat from the blistering snowstorm down to the not as bitterly cold sea, while the pub – still not being able to swim – has to weather the storm. Not all the pubs survived as the left image shows.

One could complain about this being a sentimental sequence, but it just shows how merciless the storms are. Not all decisions are easy.

Just imagine what the camera team had to tolerate while filming this.

No recollection of young’s looks, smell or noise, only of its location

The young trying to get noticed by parent. All such attempts are ignored until it manages to get in the nest on its own (26’15-28’15).

Probably the most astounding sequence in this programme was about the albatross where the young has been blown off its nest. When the parent arrives it doesn’t recognise its chick unless its in the nest. As the snapshots indicate (but a full sequence would do a much better job of it) the parent ignores the chick that is trying to get noticed. Any attempt by the chick to get noticed are ignored until it is in the nest. It has to clamber there by itself. However, as soon as it is in the nest the bond between them is re-established instantly.

It is hard to imagine how the camera team managed to film this sequence in such a tight space. Maybe they left tiny remote cameras there, in case something interesting might happen.

The hunter becomes the hunted

Jellyfish attempts to hunt some sea anemones, only for them to reel him in – the hunter becoming the hunted (42’30-43′).

This sequence of jellyfish trying to get some meal from sea anemones only to get reeled in by their combined superior strength seems to be a one-off taking place over a long time. It is shown by speeding up the sequence and the camera view is always the same. A wide angle of the jellyfish starting its hunt is never included.

Introduction to 7 Worlds One Planet

27 October 2019 – 8 December 2019

This series might be mistaken as only a BBC’s approach to the previous Netflix series merging animal life with environmentalism. But it stretches much further than that as the treatment of the following programmes should point out.

This series is mainly about how animals, on various continents, deal with forces they cannot deal with. Making this plain the series starts with the breaking up of Pangaea and, due to continental drift, how its pieces form the continents of each programme. Man’s impact and the weather also play a big part in these external forces.

In many cases discussion of a certain sequence is heavily dependent on a video being available, but due to copyright questions this is not yet possible. Snapshots, with information about location, have to do. This is specifically important in the South American programme when relating to the thorny devil drinking through its toes.